SOFI TUKKER are back with a brilliant dose of guitar funk and machine drum groove. – KAT BEINĪnd now for something a little more…moist. Out now on his own Revealed Recordings, this is definitely Hardwell like you’ve never heard him before. It starts with the monologue track “Broken Mirror” that served as his set opener this past Sunday, then moves to “Into the Unknown,” which played immediately after. And even if you were there, listening to these tunes without the screams of thousands in your ear welcomes a more minimalist experience. If you weren’t there for his big Ultra Music Festival return, this is your chance to experience the deep, thumping darkness that is the Dutch man’s new chapter. Who’s in the mood for drama? Hardwell is back, and he is serving high tension with his first original singles since 2019. “This song,” Higginbottom says, “is about melting glaciers and wanting a daughter, where to put love in this tailspin.” - KRYSTAL RODRIGUEZ Soft and subtle, its sparse production allows Higginbottom’s distinct voice and wistful harmonies to fill the spotlight over rippling synths, icy cymbals and a barely-there beat. Lead single “Blood in the Snow” is more ballad than banger. It’s his first LP in 10 years (though to be fair, his 2012 LP Trouble is timeless in this writer’s ears). Ahead of Sunday’s Grammy Awards, for which his Bonobo collaboration “Heartbreak” is nominated for best electronic/dance recording, he has announced a new album When The Lights Go. producer known as Totally Enormous Extinct Dinosaurs. This week is an eventful one for Orlando Higginbottom, the U.K. Totally Enormous Extinct Dinosaurs, “Blood in the Snow” Let’s dig into the best new dance music of the week. Charli XCX saw her track “Beg for You” hit the top of Dance/Electronic Songs, we spoke with Ólafur Arnalds about his surprise Grammy nomination, with Marshmello about his also surprise Grammy nomination, with Ten City about their historic nomination and with Richie Hawtin about his sublime new project with Chilly Gonzales.
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